Mark Coenen

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Mark Coenen

A wonderful example of how, protesting against your own sensitivity, you expose your heart in a jesting and tongue-tied manner.

Benno Barnard

Writer, about “All men are simpletons”

Rarely have I read a book of which I thought: See, I could have come up with that myself.

Mark Coenen

Author of the same, about “Italy for idiots”

background

The fact that his first name is synonymous with the region is a coincidence. Mark Coenen just happened to pass through Le Marche after – Oh, Belgian cliché - a holiday in Tuscany. Like many poolside dreamers with a beer, the words came out with a sigh: "Why don’t we buy a house here?" Once, for an interview, we ourselves sat at that swimming pool in the village of San Venanzo. We understood those words, but we still don't have a house there. In "Italy for idiots", a book by Mark Coenen (among other things ex-Studio Brussels and now, in addition to being a columnist, also head of journalism at PXL Hogeschool, you can read why he did buy one. “It is better to regret something you have done than something you have not done,” he writes. My other motto is: I don’t have to do anything. I had to turn 55 before that.” There are already a lot of books written by people who discovered paradise. Peter Mayle's "A Year in Provence" was one of the first in more modern times. Earlier, Karen Blixen wrote “Out of Africa”. That was about colonial Kenya. Mayle's compassionate story caused such a rush that he ran away from his village of Ménerbes. Nostalgia is one of the driving forces of this fine book. Not the nostalgia of wallowing self-pity, but that feeling you learn from. “Italy for idiots” is different. Of course Coenen writes with humour, self-reflection and love for his village, the crumbling road, the neighbours called Beppe and Cecilia, about the nonno who shouted “Non mi piace!” and spat out the gazpacho that Coenen's wife served. He writes about the administration, about the delights of ‘la cucina povera’ and the motorised ant that is the Fiat Panda. But, unlike many, the observations don’t become clichés. That can only come through wonderment. But mostly through love. 'Amore', as in 'That's Amore' which the Riccardo Foresi quintet plays at the market in his village one evening. But also 'amore' from a saying in the cemetery of Penna San Giovanni: ‘La nostalgia è l’amore che rimane.’ Nostalgia is the love that lasts. Nostalgia is one of the driving forces of this fine book. Not the nostalgia of wallowing self-pity, but that feeling you learn from. In Le Marche, the writer finds Jesseren, his mother's village in Limburg. “She has been dead for twenty years, ten years after the death of her only daughter. My sister took up cycling 31 years ago and she's still not come back. She lost her way. And herself. And we her, and she us.” He says goodbye to his father and reads the mail from a doctor who diagnoses prostate cancer. How can anyone stay cheerful then? The doubt is extinguished with Italian wine and Beppe's words: ‘Due amici, zero prostate.’ It doesn't stop there. Not the nostalgia, but not life either. Coenen writes about Jeffrey, a boy from Nigeria who came to Italy by boat, lives in Macerata and travels 50 kilometres every day by bus to put trolleys in place at the supermarket in Sarnano. Wifi and social media are grateful. "Perhaps indignation is the recipe for eternal youth." Italian history passes by and Coenen casually spoons in insights about leaving the beaten track (“But whoever is unhappy in Flanders will also be unhappy in Le Marche”, he warns), people over 50 in the VIP tents of festivals and the importance of sex when you are 61. If you read carefully and take a closer look: life isn't all that idiotic.

Rik Van Puymbroeck

De Tijd, 01/10/2019, about “Italy for idiots”